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  The next evening, when I returned for more snuff, Drew explained that he was a freshman student at Carteret County Community College, where he majors in psychology. I was touched by his naïveté. CCCC might as well print their diplomas on tar paper. One might take a course in diesel mechanics or pipe fitting but under no circumstances should one study psychology at CCCC. That is where certified universities recruit their studies for abnormal psychology. CCCC is where the missing links brood and stumble and swing from the outer branches of our educational system.

  Drew, bent over, said that he was currently taking a course in dreams. The teacher demands that each student keep a dream notebook, but Drew, exhausted after work, sleeps, he said, “like a gin-soaked log,” and wakes remembering nothing.

  I told him I’ve had some interesting dreams lately, because it’s true, I have.

  Drew said, “Symbolic dreams? Dreams that you could turn around when you’re awake and make sense of?”

  I said, yes, haunting dreams, meaningful, dense.

  He asked then, hunkered down before the snuff, if I would relate my dreams to him. I answered, yes indeed, and he slapped a tin of snuff on the counter and said, “On the house!”

  I returned home, my heart a bright balloon. Drew might be young, certainly—perhaps no older than, say, Steve Dolger’s current boyfriend. He may not be able to hold his own during strenuous intellectual debate, but neither can most people. My buoyant spirit carried me home, where it was immediately deflated by the painful reminder that my evening meal was to consist of an ethnic lasagna pathetically submitted earlier that day by Melinda Delvecchio, a lingering temp haunting the secretarial pool over at the office in which I work. Melinda, stout, inquisitive, and bearded as a pot-bellied pig, has taken quite a shine to me. She is clearly and mistakenly in love with me and presents me, several times a week, with hideous dishes protected with foil. “Someone needs to fatten you up,” she says, placing her eager hooves against my stomach. One would think that Melinda Delvecchio’s kindness might come as a relief to the grinding homophobia I encounter at the office.

  One might think that Melinda Delvecchio is thoughtful and generous until they pull back the gleaming foil under which lies her hateful concoction of overcooked pasta stuffed with the synthetic downy fluff used to fill plush toys and cheap cushions. Melinda Delvecchio is no friend of mine—far from it—and, regarding the heated “lasagna” steaming before me, I made a mental note to have her fired as soon as possible.

  That night I dreamt that I was forced to leave my home and move underground into a dark, subterranean chamber with low, muddy ceilings and no furniture. That was bad enough, but to make matters worse I did not live alone but had to share the place with a community of honest-to-God trolls. These were small trolls with full beards and pointy, curled shoes. The trolls were hideously and relentlessly merry. They called me by name, saying, “Glen, so glad you could join us! Look, everybody, Glen’s here! Welcome aboard, friend!” They were all so agreeable and satisfied with my company that I woke up sweating at 6:00 A.M. and could not return to sleep for fear of them.

  I showered twice and shaved my face, passing the time until seven, at which time I phoned Drew at his parents’ home. He answered groggy and confused. I identified myself and paused while he went to fetch a pencil and tablet with which to record my story.

  Regular readers of Glen’s Homophobia Newsletter know that I, Glen, honor truth and hold it above all other things. The truth, be it ugly or naked, does not frighten me. The meaner the truth, the harder I, Glen, stare it down. However, on this occasion I decided to make an exception. My dreaming of trolls means absolutely nothing. It’s something that came to me in my sleep and is of no real importance. It is our waking dreams, our daydreams that are illuminating. Regular readers of Glen’s Homophobia Newsletter know that I dream of the day when our people can walk the face of this earth free of the terrible homophobia that binds us. What are sleeping dreams but so much garbage? I can’t bear to hear other people’s dreams unless I myself am in them.

  I put all these ideas together in a manageable sort of way and told Drew Pierson that I dreamt I was walking through a forest of angry, vindictive trees.

  “Like those hateful trees in The Wizard of Oz?” he said. “Those mean trees that threw the apples?”

  “Yes,” I said, “exactly.”

  “Did any of them hit you?” he asked, concerned.

  “A few.”

  “Ouch! Then what?”

  I told him I came upon a clearing where I saw a single tree, younger than the rest but stocky, a husky, good-looking tree that spoke to me, saying, “I’ll bet you’re tired of being hated, aren’t you?”

  I could hear Drew scratching away with his pencil and repeating my dictation: “I…bet…you’re…tired…of…being…hated…”

  I told Drew that the tree had spoken in a voice exactly like his own, low and firm, yet open and friendly.

  “Like my voice, really?” He seemed pleased. “Damn, my voice on a tree. I never thought about a thing like that.”

  That night I dreamt I was nailed to a cross that was decorated here and there with fragrant tulips. I glanced over at the cross next to me, expecting to see Christ, but instead, nailed there, I saw Don Rickles. We waved to each other and he mouthed the words, “Hang in there.”

  I called Drew the next morning and told him I once again dreamt I was in a forest clearing. Once again I found myself face-to-face with a husky tree.

  Drew asked, “What did the tree say this time?”

  I told him the tree said, “Let me out! Let me out! I’m yearning to break free.”

  “Break free of what?” he asked.

  “Chains and limitations,” I said. The tree said, “Strip me of my bark, strip me of my bark.”

  “The tree said that to you personally or was there someone else standing around?”

  I told him the tree spoke to me personally and that I had no choice but to do as I was told. I peeled away the bark with my bare hands and out stepped Drew, naked and unashamed.

  “Naked in the woods? I was in the woods naked like that? Then what?”

  I told Drew I couldn’t quite remember what happened next; it was right on the tip of my mind where I couldn’t quite grasp it.

  Drew said, “I want to know what I was doing naked in the woods is what I want to know.”

  I said, “Are you naked now?”

  “Now?” Drew, apparently uncertain, took a moment before saying, “No. I got my underwear on.”

  I suggested that if he put the telephone receiver into the pouch of his briefs it might trigger something that would help me recall the rest of my dream.

  I heard the phone muffle. When I yelled, “Did you put the phone where I told you to?” I heard a tiny, far-off voice say, “Yes, I sure did. It’s there now.”

  “Jump up and down,” I yelled. “Jump.”

  I heard shifting sounds as Drew’s end of the telephone jounced around in his briefs. I heard him yell, “Are you remembering yet?” And then, in the distance, I heard a woman’s voice screaming, “Drew Pierson, what in the name of God are you doing with that telephone? Other people have to put their mouth on that thing too, you know. You should be strung up for doing a thing like that, goddamn you.” I heard Drew say that he was doing it in order to help someone remember a dream. Then I heard the words “moron,” “shit for brains,” and the inevitable “fag.” As in “Some fag put you up to this, didn’t he? Goddamn you.”

  Then Drew must have taken the receiver out of his briefs because suddenly I could hear him loud and clear and what I heard was homophobia at its worst. “Fag! Fag! I’ll kick your ass good and hard the next time I see you. Goddamn you to hell.” The words still echo in my mind.

  I urge all my readers to BOYCOTT DAVE’S KWIK STOP. I urge you to phone Drew Pierson anytime day or night and tell him you dreamt you were sitting on his face. Drew Pierson’s home (ophobic) telephone number is 787-5008. Call him and raise your voic
e against homophobia!

  So that, in a nutshell, was my morning. I pulled myself together and subjected myself to the daily homophobia convention that passes as my job. Once there, I was scolded by my devious and homophobic department head for accidentally shredding some sort of disputed contract. Later that afternoon I was confronted, once again, by that casserole-wielding mastodon, Melinda Delvecchio, who grew tearful when informed that I would sooner dine on carpet remnants than another of her foil­-covered ethnic slurs.

  On my way home from the office I made the mistake of stopping at the Food Carnival, where I had no choice but to park in one of the so-called “handicapped” spaces. Once inside the store I had a tiff with the homophobic butcher over the dictionary definition of the word cutlet. I was completely ignored by the homophobic chimpanzee they’ve hired to run the produce department and I don’t even want to talk about the cashier. After collecting my groceries I returned to the parking lot, where I encountered a homophobe in a wheelchair, relentlessly bashing my car again and again with the foot pedals of his little chariot. Regular readers of Glen’s Homophobia Newsletter know that I, Glen, am not a violent man. Far from it. But in this case I had no choice but to make an exception. My daily homophobia quota had been exceeded and I, Glen, struck back with brute physical force.

  Did it look good? No, it did not.

  But I urge you, reader, to understand. Understand my position as it is your own.

  Understand and subscribe, subscribe.

  Front Row Center

  with Thaddeus Bristol

  Trite Christmas: Scottsfield’s young hams offer the blandest of holiday fare

  The approach of Christmas signifies three things: bad movies, unforgivable television, and even worse theater. I’m talking bone-crushing theater, the type our ancient ancestors used to oppress their enemies before the invention of the stretching rack. We’re talking torture on a par with the Scottsfield Dinner Theater’s 1994 revival of Come Blow Your Horn, a production that violated every tenet of the Human Rights Accord. To those of you who enjoy the comfort of a nice set of thumbscrews, allow me to recommend either of the crucifying holiday plays and pageants currently eliciting screams of mercy from within the confines of our local elementary and middle schools. I will, no doubt, be taken to task for criticizing the work of children but, as any pathologist will agree, if there’s a cancer it’s best to treat it as early as possible.

  If you happened to stand over four feet tall, the agony awaiting you at Sacred Heart Elementary began the moment you took your seat. These were mean little chairs corralled into a “theater” haunted by the lingering stench of industrial-strength lasagna. My question is not why they chose to stage the production in a poorly disguised cafeteria, but why they chose to stage it at all. “The Story of the First Christmas” is an overrated clunker of a holiday pageant, best left to those looking to cure their chronic insomnia. Although the program listed no director, the apathetic staging suggested the limp, partially paralyzed hand of Sister Mary Elizabeth Bronson, who should have been excommunicated after last season’s disastrous Thanksgiving program. Here again the first- through third-grade actors graced the stage with an enthusiasm most children reserve for a smallpox vaccination. One could hardly blame them for their lack of vitality, as the stingy, uninspired script consists not of springy dialogue, but rather of a deadening series of pronouncements.

  Mary to Joseph: “I am tired.”

  Joseph to Mary: “We will rest here for the night.”

  There’s no fire, no give and take, and the audience soon grows weary of this passionless relationship.

  In the role of Mary, six-year-old Shannon Burke just barely manages to pass herself off as a virgin. A cloying, preening stage presence, her performance seemed based on nothing but an annoying proclivity toward lifting her skirt and, on rare occasions, opening her eyes. As Joseph, second-grade student Douglas Trazzare needed to be reminded that, although his character did not technically impregnate the virgin mother, he should behave as though he were capable of doing so. Thrown into the mix were a handful of inattentive shepherds and a trio of gift-bearing seven-year-olds who could probably give the Three Stooges a run for their money. As for the lighting, Sacred Heart Elementary chose to rely on nothing more than the flashbulbs ignited by the obnoxious stage mothers and fathers who had created those zombies staggering back and forth across the linoleum-floored dining hall. Under certain circumstances parental pride is understandable but it has no place in the theater, where it tends to encourage a child to believe in a talent that, more often than not, simply fails to exist. In order for a pageant to work, it needs to appeal to everyone, regardless of their relationship to the actors onstage. This production found me on the side of the yawning cafeteria workers.

  Pointing to the oversized crate that served as a manger, one particularly insufficient wise man proclaimed, “A child is bored.”

  Yes, well, so was this adult.

  Once again, the sadists at the Jane Snow-Hernandez Middle School have taken up their burning pokers in an attempt to prod A Christmas Carol into some form of submission. I might have overlooked the shoddy production values and dry, leaden pacing, but these are sixth-graders we’re talking about and they should have known better. There’s really no point in adapting this Dickensian stinker unless you’re capable of looking beyond the novel’s dime-store morality and getting to what little theatrical meat the story has to offer. The point is to eviscerate the gooey center but here it’s served up as the entrée, and a foul pudding it is. Most of the blame goes to the director, eleven-year-old Becky Michaels, who seems to have picked up her staging secrets from the school’s crossing guard. She tends to clump her actors, moving them only in groups of five or more. A strong proponent of trendy, racially mixed casting, Michaels gives us a black Tiny Tim, leaving the audience to wonder, “What, is this kid supposed to be adopted?” It’s a distracting move, wrongheaded and pointless. The role was played by young Lamar Williams, who, if nothing else, managed to sustain a decent limp. The program notes that he recently lost his right foot to diabetes, but was that reason enough to cast him? As Tiny Tim, the boy spends his stage time essentially trawling for sympathy, stealing focus from even the brightly lit Exit sign. Bob Cratchit, played here by the aptly named Benjamin Trite, seems to have picked up his Cockney accent from watching a few videotaped episodes of Hee Haw, and Hershel Fleishman’s Scrooge was almost as lame as Tiny Tim.

  The set was not without its charm but Jodi Lennon’s abysmal costumes should hopefully mark the end of a short and unremarkable career. I was gagging from the smell of spray-painted sneakers and if I see one more top hat made from an oatmeal canister, I swear I’m going to pull out a gun.

  The problem with both these shows stems partially from their maddening eagerness to please. With smiles stretched tight as bungee cords, these hopeless amateurs pranced and gamboled across our local stages, hiding behind their youth and begging, practically demanding, we forgive their egregious mistakes. The English language was chewed into a paste, missed opportunities came and went, and the sets were changed so slowly you’d think the stagehands were encumbered by full-body casts. While billing themselves as holiday entertainment, neither of these productions came close to capturing the spirit of Christmas. This glaring irony seemed to escape the throngs of ticketholders, who ate these undercooked turkeys right down to the bone. Here were audiences that chuckled at every technical snafu and applauded riotously each time a new character wandered out onto the stage. With the close of every curtain they leapt to their feet in one ovation after another, leaving me wedged into my doll-sized chair and wondering, “Is it just them, or am I missing something?”

  Christmas Means Giving

  For the first twelve years of our marriage Beth and I happily set the neighborhood standard for comfort and luxury. It was an established fact that we were brighter and more successful but the community seemed to accept our superiority without much complaint and life flowed on the way
it should. I used to own a hedge polisher, an electric shovel, and three Rolex gas grills that stood side by side in the backyard. One was for chicken, one for beef, and the third I had specially equipped to steam the oriental pancakes we were always so fond of. When the holidays rolled around I used to rent a moving van and drive into the city, snatching up every bright new extravagance that caught my eye. Our twin sons, Taylor and Weston, could always count on the latest electronic toy or piece of sporting equipment. Beth might receive a riding vacuum cleaner or a couple pairs of fur-lined jeans and those were just the stocking stuffers! There were disposable boats, ultrasuede basketballs, pewter knapsacks, and solar-powered card shufflers. I’d buy them shoes and clothes and bucketfuls of jewelry from the finest boutiques and department stores. Far be it from me to snoop around for a bargain or discount. I always paid top dollar, thinking that those foot-long price tags really meant something about Christmas. After opening our gifts we’d sit down to a sumptuous banquet, feasting on every imaginable variety of meat and pudding. When one of us got full and felt uncomfortable, we’d stick a silver wand down our throats, throw up, and start eating all over again. In effect, we weren’t much different from anyone else. Christmas was a season of bounty and, to the outside world, we were just about the most bountiful people anyone could think of. We thought we were happy but that all changed on one crisp Thanksgiving day shortly after the Cottinghams arrived.

  If my memory serves me correctly, the Cottinghams were trouble from the very first moment they moved in next door. Doug, Nancy, and their unattractive eight-year-old daughter, Eileen, were exceedingly envious and greedy people. Their place was a little smaller than ours but it made sense, seeing as there were four of us and only three of them. Still though, something about the size of our house so bothered them that they hadn’t even unpacked the first suitcase before starting construction on an indoor skating rink and a three-thousand-square-foot pavilion where Doug could show off his collection of pre-Columbian sofa beds. Because we felt like doing so, Beth and I then began construction on an indoor soccer field and a five-thousand-square-foot rotunda where I could comfortably display my collection of pre-pre-Columbian sofa beds. Doug would tell all the neighbors I’d stolen the idea from him but I’d been thinking about pre-pre-Columbian sofa beds long before the Cottinghams pulled into town. They just had to cause trouble, no matter what the cost. When Beth and I built a seven-screen multiplex theater they had to go and build themselves a twelve-screener. This went on and on and, to make a long story short, within a year’s time neither one of us had much of a yard. The two houses now butted right up against each other and we blocked out the west-side windows so that we wouldn’t have to look into their gaudy fitness center or second-story rifle range.